{"id":2156,"date":"2014-10-10T23:15:49","date_gmt":"2014-10-10T21:15:49","guid":{"rendered":"https:\/\/www.prysmradio.com\/en\/?p=2156"},"modified":"2021-11-13T23:20:52","modified_gmt":"2021-11-13T22:20:52","slug":"exclusive-dubfire-interview-with-duo-dadub","status":"publish","type":"post","link":"https:\/\/www.prysmradio.com\/en\/2014\/10\/exclusive-dubfire-interview-with-duo-dadub\/","title":{"rendered":"Exclusive : Dubfire interview with duo Dadub"},"content":{"rendered":"

What happens when Dubfire<\/strong>, half of Deep Dish and one of the true master of Techno, meets inter-genre, dub, ambiant, techno producers Dadub<\/strong> ? They talk\u00a0melting of styles, danger of pigeonholes and the evolution of production. When artists interview artists, the tongues gets loose, the tone gets fresh and that is why Dubfire shot those three questions to the duo act, in an exclusive interview for Prysm Radio<\/strong>.<\/p>\n


\nDubfire – Judging from your moniker, I assume that you guys are fans of \u201cdub\u201d music? How important are the roots and foundations of \u201cdub\u201d to your sound and, to a larger extent, electronic music?<\/strong><\/p>\n

Dadub<\/strong> – “Dub<\/strong>” music has a large influence on our sound, but we are not interested in reproducing its specific aesthetic. It already exists and has its own story that we deeply enjoy and respect. The core of our interest in “dub” lies in the importance attributed to the advanced elaboration of an initial sound recording that is processed through custom effects, resulting in the discovery of new sonic textures and rhythms that would be impossible to achieve with traditional or commonly accepted techniques. We are extremely fascinated by “dub”\u00a0in terms of its approach, attitude and innovation potential when applied to standardized musical genres. We use techniques and strategies that were made popular by “dub” masters, bending them to our needs and trying our best to evolve or using them as a horizon\u00a0of possibilities; rather than doing an atypical copy \/ paste, emulating the sound of “dub” sirens and delays or using it as a superficial gimmick. When our sound is defined as \u201cDub Techno\u201d, to us\u00a0it’s not as if it is inked to a specific genre. Rather it says much more about the average culture and lazy preparation of music journalists than the actual sound\u00a0of our productions or live performances. The word “dub” should be interpreted not as a label that defines boundaries, but more as an intent to break rules and already established techniques.<\/p>\n

Dubfire -You have quite a diverse sound, running from “ambient” soundscapes to \u201cdub\u201d as well as the tougher shades of “techno”. What is it about \u201ctechno\u201d music that inspires you?<\/strong><\/p>\n

Dadub<\/strong>\u00a0–\u00a0That depends on what we intend for “techno<\/strong>” music: if we are talking about a 909 \u00a0or 808 straight kick drum, plus a 303 bass line, then we are not at all interested in that. If we intend to make “techno” as a kind of repetitive groove, created\u00a0by technological devices that allow the listener to transcend their immediate surroundings and everyday mental state, then yes, we are DEEPLY interested and influenced by that. From\u00a0our point of view “techno” music could be considered as a contemporary version\u00a0of ancient percussive approaches to music, not that much related to the idea of \u201centertainment\u201d or a \u201cbusiness attitude\u201d. Our\u00a0aim is to provide new ideas and inputs to the music scene rather than reproduce and copy, again and again, already made solutions.<\/p>\n

Dubfire -Do you guys feel like the advancements in music technology has spawned creativity or has it hindered it?<\/strong><\/p>\n

Dadub<\/strong>\u00a0 – We could say that it\u2019s a double-edged sword. On one side it has allowed people to create music in any moment\u00a0and environment, using\u00a0tools that are almost free\u00a0to acquire and easy to\u00a0use at an average level, without the\u00a0need to book and pay recording studios and engineers. On the other side, this over abundance of tools and software can heavily hinder creativity\u00a0and inspiration and also contribute to a more superficial and trend-related way of listening, producing and dreaming about new music evolutions. Using machines to make music created a new generation\u00a0of producers who didn\u2019t need to study music theory for years, or master acoustic instruments, with all the pluses and minuses that total dedication to musical history and practice can imply. The key for us\u00a0is to forge our own sound aesthetic and tools; and\u00a0get to know and customize any piece of software and hardware, so that WE are the ones in control of our creative flow, and NOT the machines.\u00a0
\n<\/strong><\/p>\n

—-<\/p>\n

Catch Dubfire <\/strong>& Dadub \u00a0<\/strong>at “Dubfire : Live HYBRID” <\/strong>premiere\u00a0at\u00a0ADE :<\/p>\n

“Premiering worldwide on October 16<\/strong> at the Roest Warehouse<\/strong> during the annual Amsterdam Dance Event<\/strong>, Dubfire\u2019s<\/strong> debut live show reinvents the concert experience by seamlessly weaving together elements of 2D and 3D animation with live audio and lighting to explore the intersection of science and technology – of man and machine – and their resulting evolution and inevitable fusion”.<\/em><\/p>\n

\u00a0Tickets\u00a0<\/a>
\nDubfire<\/strong>
\n\"facebookb\"<\/a>
\n\"Twitter_logo1a\"<\/a>
\nDadub\u00a0<\/strong>
\n\"facebookb\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

What happens when Dubfire, half of Deep Dish and one of the true master of Techno, meets inter-genre, dub, ambiant, techno producers Dadub ? They talk\u00a0melting of styles, danger of pigeonholes and the evolution of production. When artists interview artists, the tongues gets loose, the tone gets fresh and that is why Dubfire shot those […]<\/p>\n","protected":false},"author":1,"featured_media":2157,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[27],"tags":[187,302],"class_list":["post-2156","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-interviews","tag-dubfire","tag-dadub","post_format-post-format-video"],"yoast_head":"\nExclusive : Dubfire interview with duo Dadub - Prysm UK<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.prysmradio.com\/en\/2014\/10\/exclusive-dubfire-interview-with-duo-dadub\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exclusive : Dubfire interview with duo Dadub - Prysm UK\" \/>\n<meta property=\"og:description\" content=\"What happens when Dubfire, half of Deep Dish and one of the true master of Techno, meets inter-genre, dub, ambiant, techno producers Dadub ? 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